Art Gallery of New South Wales, Yiribana : an Introduction to the Aboriginal and Torres Strait Islander Collection, The Gallery, Sydney, 1994 Call# 709.94

Australia Industries Assistance Commission. Certain pigment dyestuffs and colour lakes, 24 June 1983 / Industries Assistance Commission report.

Ayres, James, The Artist's Craft : a history of tools, techniques, and materials, Phaidon, Oxfordm,1985 Call# 702.8

Backes, Magnus, Art of the Dark Ages, Abrams, New York, 1969 Call# 709. 021

Ball, Phillip, Bright Earth : The invention of colour, Viking Press, London, 2001

Bambach, Carmen, Drawing and Painting in the Italian Renaissance Workshop, theory and practice 1300-1600, Cambridge University Press, 1999

Bandi, Hans-Georg, The Art of the Stone Age - 40,000 years of rock art, Methuen, London, 1961 Call# 709.011

Bazzi, Maria, The artist's methods and materials, Published New York: Pitman, [1960]

Bearn, Jospeh, The chemistry of paints, pigments & varnishes, Benn, London, 1923 Call# 667.6 B38

Boxall, J, Paint Formulation: Principles and Practice, Godwin, London, 1980

Brady, Charles, Paints and Materials, London:University of London 1976 UniM ERC Call#372.35044 TEA

Brooks, Leonard, Oil Painting; basic and new techniques, Van Nostrand Reinhold, New York, 1971 Call# 751.45

Brown , Greig M., Report on research work for 1845-1946 - Investigations of the blue pigment, Thesis (MSc.) uni of Mel 1947

Bruno, David, Landscapes, rock-art, and the dreaming : an achaeology of preunderstanding, London ; New York : Leicester University Press, 2002.

Bulcock, Shaun,  Structure analysis of perovskite-related compounds and the investigation of art materials 1995, Includes copy of author's publication. Thesis (M.Sc.)--University of Melbourne, 1996.

Carlyle, Leslie, The artist's assistant: oil painting instruction manuals and handbooks in Britian 1800-1900 with reference to selected  eighteenth-centruy sources, Published by, London: Archetype Publications, c2001 Call # 751.2 CARL

Cawford, I.M., The Art of the Wanjina; aboriginal cave paintings in Kimberley, WA, Oxford University Press, New York, 1968

Cattapan, Jon, The City Submerged, Catalogue, Call# 759.994

Cennini, Cennino, The book of the art of Cennino Cennini: a contemporary treatise on quattrocento painting,  a practical treatise on quattrocento painting, G.Allen, & Unwin, ltd., London, 1899 UniM ERC B call# 751.4 C395

Cennini, Cennino, The Craftsmen's Handbook, translated by D.V. Thompson, Dover Publications, Inc. New York, Copyright 1960

Chatwin, Bruce, The Songlines, Penguin Books, New York, New York , Copyright Bruce Chatwin 1987

Chauvet, Jean-Marie, Dawn of art: the Chauvet Cave: the oldest known paintings in the world, H.N. Abrams, New York, 1996

Chenciner, Robert, Madder red: a history and trade: plant dyes and pigments in world commerce and art, Curzon, Richmond, 2000 Call# TRR 667.26 C42M

Cheville, Norman F., Chap 7 Extracellular Substances, Pigments, and Crystals,- call# 616.0758 CHEV

Clarke, Mark, The art of all colours: medieval recipe books for painters and illuminators, Published by: London, Archetype Publications, 2001 Call # 745.67 

Cole, A, Virtue and Magnificence; Art of the Italian Renaissance courts, Abrams, New York ,1995 Call # 709.45

Conservation Research, Contents Azo Pigments, National Gallery of Art, Washington  Call# 709 STUD

Cook, D.J., Chapter on Histochemistry of pigments, Call# 616.07 COOK 

Crook, Jo, The impact of modern paints, London: Tate Gallery Pub c2000 ISBN 1854372874, Location UniM Baill f  Call # 751.2 CROO

Curtin, Bernadette, Artists' secrets : a guide to constructing a creative practice, Hawthorn, Vic : Haystack Publishing, 2000 ISBN 064639827X  UniM Baill  Call# 702.8 CURT

Curtis, R.G. Report on research work, The investigation of a new blue pigment...Thesis: (M.Sc.) Uni of Melb, 1941

D'Ancona, Paolo, The Art of Illumination; and anthology of manuscripts from the sixth to the sixteenth century, Phaidon, New York, 1969, Call# 745.67

Daval, Jean-Luc, Oil Painting from Van Eyck to Rothko, Skira, Ganeva, Switzerland, 1985

Dorn, Ronald I., Developments in earth surface processes; Call No 552. 06

De Tolnay, Charles, History and technique of old master drawings, Hacker Art Books, New York, 1972

Delamare, Francois, Colour: making and using dyes and pigments, Thames & Hudson, London, 2000 Call# TRR 667.209 D37CH

Dobson, Rosemary, Australia: the land of color thorugh the eyes of Australian painters, Published by Ure Smith Sydney, 1962 Call# 759.994 Dob

Doerner, Max, The Materials of the Artist and Their Use in Painting, With notes on the techniques of the Old Masters, published by Harcourt, Brace & World, Inc., New York, copyright 1962

Elkins, James, What Painting is: how to think about oil painting, using the language of alchemy, Routledge, New York, 1999 Call# 750.18

Elkins, James, Our beautiful, dry, and disant texts : art history as writing, Pennslyvania State University Press, 1997 Call# 701.18

Elkins, James, On pictures and the words that fail them, Cambridge University Press, Cambridge, New York, 1998 Call# 121.68

Encyclopedia of chemical technology, New York: Wiley, 1991-1998  v. 19 - Pigments to powders, handling v.18 Paper to pigment dispersions, Call# 660.03 ENCY

Feller, Robert, Artists Pigments : a handbook of their history and characteristics, National Gallery of Art, Washington 1997 Call# 751.2.

Flick, Ernest W. Handbook of paint raw materials / by Ernest W. Flick.  Park Ridge, N.J. : Noyes Publications, c1982

Friedman, John Block, Northern English Books, owners, and makers in the late Middle Ages, Call # 745.6709427 UniM Baill

Fuller, Wayne, Inorganic Pigments; Fed.of Soc. for Paint Tech , 1968

Garfield, Simon, Mauve, how one man invented a color that changed the world, W.W.Norton & Co. New York, c2001

Gettens, Rutherford, Painting materials: a short encyclopedia, Dover Publications, New York, 1966

Harley, R. D., 1934, Artists' pigments c.1600-1835: a study in English documentary sources, Published. London : Archetype, 2001.

Hayes, Valerie, Wildflowers and ochre: our Australian identity, Valerie Hayes, Bundoora, Vic., 2000

Herberts, Kurt, The Complete Book of Artists' Techniques, Thames and Hudson, London, 1958 Call # 702.8

Hills, Paul, Venetian colour : marble, mosaic, painting and glass, 1250-1550,  Published New Haven, CT ; London : Yale University Press, c1999.

Holmes, Sandra Le Brun, Yirawala - Painter of the Dreaming, Hodder& Stoughton (Australia), 1992

Hume, Lynne, Ancestral power: the dreaming, consciousness, and Aboriginal Australians, Melbourne University Press, Carlton South, Vic. Melbourne, 2002

Hurst, George, The Painter's Laboratory Guide, 1902 Call# S 667.6 H94P

Hurst, George, Manual of painters; colours, oils, and varnishes for students and practical men, Charles Griffin, London, 1922 Call# S 667.6 H94M

Kenin, Richard, The Art of drawing : from the dawn of history to the era of the Impressionists. Paddington Press, New York 1974 Call# 741.09

Lamb, Trevor, Colour: art & science, Cambridge Univeristy Press, New York, 1995

Laurie, Arthur, The technique of the great painters, Carroll and Nocholson, Published London.: 1949.

Leigh, S.T. A Brief history of the 170 years of trading of the House of Berger : makers of fine dry colours, paints and varnishes Published,  Sydney : Lewis Berger and Sons (Australia), 1930

Levinson, Ralph, More modern chemical techniques, Published by the Royal Society of Chemistry, c 2001 UniM Chem., Call# 543 LEVI

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Liddell, Petra, The rheology of titanium dioxide pigment suspensions, 319 leaves , PhD thesis University of Melbourne, 1996

Lister, Raymond, Infernal methods: a study of William Blake's art techniques, London: Bell, 1975

Lubs, Herbert, The chemistry of synthetic dyes and pigments, Reinhold, New York, 1955

Luber, Katherine, Albrecht Durer and the Venetian Renaissance, New York, Cambridge University Press, 2001

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Mayer, Ralph, The Painter's craft : an introduction to artist's methods and materials, Viking Press, New York, 1975 Call# 751 .0019

Mayer, Ralph, The Artist's handbook of materials and techniques, Viking Press, New York, 1981 Call# 751 .0018

McCann, Michael, Artist beware, Watson-Guptill Publications, 1979 Call# 702.8

Medieval and Renaissance treatises on the Arts of Painting, Dover Publications, Mineola, NY 1999 Call# 751 Ori

McLaren, K, The Colour Science of Dyes & Pigments, . 667.2015 McLa

Morgan, Peter, New pigments from Australasian toadstools, Published 1998.  170 leaves, bound : ill. ; 31 cm.Thesis (Ph.D.) -- University of Melbourne, School of Chemistry, 1999. CALL # MORGAN

McPhee, John, Annals of a Former World, Farra, Strauss and Giroux, New York 1998

Oil and Colour Chemists' Association, Paint technology manuals, Chapman & Hall, 1961

Osborne, Roy, Lights and pigments: colour principles for artists, J.Murray, London, 1980

Parfitt, G.D. Dispersion of powders in liquids with special reference to pigments, Elseview Pub., Co., New York, 1961, 541.345 Unim Chem

Parker, Adrian, Images in ochre: the art and craft of the Kunwinjku, Kangaroo Press, Roseville, N.S.W., 1997

Patton, Temple C., Pigment Handbook, Wiley, New York, 1973

Pope, Arthur, An introduction to the language of drawing and painting, Harvard Univeristy Press, Cambridge, MA 1929

Raw Materials Index, Oil and Colour Chemists' Association, Australia. 3rd Ed. The Assoc., 1969

Remington, J.S., Pigments: their manufacture, properties and use, 1954 Call# S 667.6 R28P

Richter, Jean Paul, The Notebooks of Leonardo Da Vinci, compiled and edited from the original manuscripts, Dover Publications, Inc., New York, 1970

Rosenberg, Harold, Art on the Edge, Macmillan, New York, 1975 Art-Techniques Call# 709.04

SA Dept. of Mines and Energy, Mines and energy review, South Australia, Director and Government Printer, SA, 1990

Sagona, Antonio, Bruising the red earth: ochre mining and ritual in aboriginal Tasmania, Melbourne Univeristy Press, Carlton, Vic., 1994 Call# SLT 994.65 B86S

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Seddon, Richard, The Artist's Studio Book, studio management for painters and other artists, Beaufort Books, New York, 1984

Simpson, Colin, Adam in Ochre: inside aboriginal Australia, Angus & Robertson, Sydney, 1962

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Soyer, Moses, Oil Painting in Progress, Van Nostrand Reinhold, Co., New York 1972 Call # 751.45

Stout & Gettens, Painting Materials A Short Encyclopedia, D. Van Nostrand Company, Inc., New York, 1942

Taubes, Frederic, The Mastery of Oil Painting, Crown Publishers, Inc., New York, 1953

Theophilus, On Divers Arts, the Foremost Medieval Treatise on Painting, Glassmaking and Metalwork

Thomas, A.W., Colors from the Earth: The artists' guide to collecting, prepairing and using them, Call#667.29 ERC Library

Thompson Jr., Daniel V. , The Practice of Tempera Painting (includes gilding), Dover Publications, Inc. New York, Copyright 1936

Thompson, Daniel V. ,The Materials and Techniques of Medieval Painting, Dover Publications, New York

Townsend, Joyce, Paint and purpose: a study of techniques in British Art, Tate Gallery, London, c1999

Turner, G.P.A., Introduction to Paint Chemistry - and Principles of Paint Technology, Chapman and Hall, London, 1980

Uebele, Charles, Paint making and color grinding: a practical treatise for paint manufacturers and factory managers, The Painters Magazine, New York, 1913

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Volpe, Carlo, Early Christian to Medieval Painting, P.Hamlyn, England, 1965

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Western Australia, EPA, Titanium Dioxide Pigment Plant, Kwinanan: Coolgarloo Joint Venture, EPA, Perth, W.A., 1989

Whelte, Kurt, The Materials and Techniques of Painting, Van Nostrand Reinhold, New York, 1982 Call# 751

Westwood, J.O. The art of illuminated manuscripts: illustrated sacred writings, Bracken Books, London, 1988 Call# 745.67

Wheelock, Arthur K., Vermeer & the Art of painting, New Haven: Yale University Press, 1995 Call # 757.9492 VERM

Zollinger, H. (Heinrich) 1919- , Color Chemistry: syntheses, properties, and applications of organic dyes and pigment, Published, Weinheim; New York: VCH, 1991